Thomas Cole
1801-1848 Thomas Cole Galleries Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism. In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist. Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York. Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.

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Thomas Cole Landscape with Dead Tree oil painting


Landscape with Dead Tree
Date 1828
Painting ID::  71567
Thomas Cole
Landscape with Dead Tree
Date 1828
   
   
     

Thomas Cole Resti dell'acquedotto Marcio presso Tivoli oil painting


Resti dell'acquedotto Marcio presso Tivoli
Resti dell'acquedotto Marcio presso Tivoli 1832(1832)
Painting ID::  71982
Thomas Cole
Resti dell'acquedotto Marcio presso Tivoli
Resti dell'acquedotto Marcio presso Tivoli 1832(1832)
   
   
     

Thomas Cole Study for The Cross and the World oil painting


Study for The Cross and the World
between 1846(1846) and 1847(1847) Oil on panel 30.1 X 46.2 cm (11.85 X 18.19 in)
Painting ID::  72174
Thomas Cole
Study for The Cross and the World
between 1846(1846) and 1847(1847) Oil on panel 30.1 X 46.2 cm (11.85 X 18.19 in)
   
   
     

Thomas Cole A View of the Two Lakes and Mountain House Catskill Mountains oil painting


A View of the Two Lakes and Mountain House Catskill Mountains
Date ca. 1844(1844) Medium Oil on canvas Dimensions 91 X 136.9 cm (35.83 X 53.9 in) cyf
Painting ID::  72216
Thomas Cole
A View of the Two Lakes and Mountain House Catskill Mountains
Date ca. 1844(1844) Medium Oil on canvas Dimensions 91 X 136.9 cm (35.83 X 53.9 in) cyf
   
   
     

Thomas Cole II Penseroso oil painting


II Penseroso
1845 cjr
Painting ID::  72534
Thomas Cole
II Penseroso
1845 cjr
   
   
     

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     Thomas Cole
     1801-1848 Thomas Cole Galleries Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism. In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist. Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York. Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.

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